COLLECTION 01

AUDIO × VISUAL

AUDIO × VISUAL

Volume 01: SYNTHESIS — San Francisco, California — August 1–2, 2026

CERE Collection 01: AUDIO × VISUAL was the first public exhibition by CERE, exploring how auditory and visual information interact to shape perception. The collection consisted of five interactive artworks, each built around a documented phenomenon in perceptual science. Rather than explaining the science before the experience, visitors encountered each phenomenon first and learned what had happened afterward. The exhibition investigated whether scientific ideas traditionally encountered through text, diagrams, or laboratory demonstrations could instead be communicated through direct artistic experience.

CERE Collection 01: AUDIO × VISUAL was the first public exhibition by CERE, exploring how auditory and visual information interact to shape perception. The collection consisted of five interactive artworks, each built around a documented phenomenon in perceptual science. Rather than explaining the science before the experience, visitors encountered each phenomenon first and learned what had happened afterward. The exhibition investigated whether scientific ideas traditionally encountered through text, diagrams, or laboratory demonstrations could instead be communicated through direct artistic experience.

The Universal Language installation

THE UNIVERSAL LANGUAGE

THE UNIVERSAL LANGUAGE

Phenomenon: Bouba–Kiki effect

Two unfamiliar forms. Two unfamiliar names. Visitors decided which form was ‘Bouba’ and which was ‘Kiki,’ encountering a widely documented association between particular sounds and visual shapes. The work translated the phenomenon into a sculptural environment using objects associated with childhood, sweets, and celebration.

BEAUTY IS IN THE EYE OF THE BEHOLDER

BEAUTY IS IN THE EYE OF THE BEHOLDER

Phenomenon: Sound-induced flash illusion

Inside a darkened room, visitors watched visual flashes accompanied by camera-like sounds and recorded how many flashes they believed they had seen. Auditory information can alter the number of visual events a person reports perceiving.

Yes Day installation

“YES” DAY

“YES” DAY

Phenomenon: McGurk effect

A face presented one visual speech signal while a separate audio signal presented another. For many observers, the resulting perception was neither of the signals that physically existed.

IN TRANSIT

IN TRANSIT

Phenomenon: Pitch–height mapping

Visitors listened to two sounds and positioned them vertically according to where each sound seemed to belong in space. The work explored the widespread association between auditory pitch and spatial height.

Completed audience results canvas

POST-EXHIBITION RESULTS CANVAS

Subtotal installation

SUBTOTAL

SUBTOTAL

Phenomenon: Change blindness

Visitors remembered an apparently ordinary takeout scene before leaving it behind and returning later. The work examined how substantial changes in a visual scene can go unnoticed when attention is interrupted.

EXPERIENCE FIRST.

EXPERIENCE FIRST.

EXPERIENCE FIRST.

EXPLANATION SECOND.

EXPLANATION SECOND.

EXPLANATION SECOND.

Visitors encountered each artwork without first being told which perceptual phenomenon it demonstrated. Scientific explanations and references were presented only after the experience.

RESEARCH

RESEARCH

Alongside the exhibition, CERE conducted an exploratory public pilot examining visitors’ experiences and understanding of the phenomena. Participation was voluntary and responses were collected anonymously. Analysis and documentation will be published separately.

RESEARCH ROOM

RESEARCH ROOM

RESEARCH ROOM

A dedicated Research Room accompanied the exhibition, allowing visitors to trace each installation back to the scientific literature that informed it.

EXPLORE CERE’S FURTHER RESEARCH →

August 1–2, 2026 · San Francisco, California

Presented by UGLYCASH

Collection 01: AUDIO × VISUAL · Volume 01: SYNTHESIS · CERE, 2026